Posts Tagged ‘Calligraphy/中国书法’

Lets Shine Edu offering the Chinese culture lessons near Taiyanggong now

23 Mar 2016

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We have Taiji master and calligraphy teachers ready for your Chinese culture enthusiasm. As you may know the Yin and Yang of Chinese philosophy. You can see the Yin and Yang everywhere in china.  Taiji has Yin and Yang. Calligraphy has Yin and Yang. Actually the Taiji and Calligraphy is a pair of Yin and […]

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coming event this Sunday in Beijing, barcamp

9 Jul 2014

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I will be the speaker of the summer barcamp this Sunday in Beijing. but I will try to introduce something unique. non fashion and hi-tech related, but pure culture and history, the Chinese characters. and I will tell the very original version of the characters. the Oracle Bone characters, AKA 甲骨文 in Chinese.  and I […]

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I’m teaching the Chinese calligraphy(少儿国学书法) in the Guozijian-the Imperial college

13 Mar 2014

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My grandpa would be happy if he knew this, I am teaching the calligraphy in the Imperial college-Guozijian from 2013. It is important to the Chinese kids if they can write the calligraphy, one of the Chinese traditional cultures. but it is difficult nowdays, they’d rather play the iPad or smartphone after school.  Let me […]

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How about to learn the calligraphy in the Imperial College-Guozijian?

24 Feb 2014

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the Imperial College is located at Guozijian street of Dongcheng District .It was built in Yuan Dynasty of 14 century, with a long history of more then 700 years. even older than the Forbidden city.the Imperial College unfold a picture scroll for its long history,unique architectural style,and profound cultural connotation. the Biyong hall(辟雍大殿), where the […]

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emilia’s homestay (english in detail)-the temple of earth and the noodles

14 Jul 2012

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My name is emilia , i am British however i live in India. i have come to Beijing for total immersion in mandarin which will hopefully improve my chinese. i am staying in a traditional chinese courtyard house in a hutong. Of course for any foreigner being abroad is different and for some difficult to […]

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2 hotel business websites well combined Chinese characters

29 Jun 2010

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Hotel’s business website is important for showcase the culture and the service quality. and it is also an education time for the vistors from openning the page, if you can add some Chinese elements and it looks beautiful, then I can say it is a beautiful website. 1 Guilin Garden Guilin Garden, an exclusive membership […]

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Chinese Calligraphy master-Hanshi by 赵文耕

21 Apr 2008

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Hanshi,Chinese Callirgraphy master,has a workoffice in Beijing Dashanzi Art Zone 798,named Tuao Studio. which has the same meaning as Yin and Yang. Actually, besides his great work on calligraphy,he knows Chinese tradtional culture very well. He always tells us to think more when you are low, it is not that worse, you will have something […]

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introduction of Calligraphy-in Chinese

16 Apr 2008

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Chinese Character,or 中国汉字(Hanyu Pinyin: zhong guo han zi) has a square shape.  Was first created during the labor process thousands of years ago.  there are four basic elements when writing calligraphy:brush(毛笔Hanyu Pinyin: Mao bi),ink(墨Hanyu Pinyin Mo),paper(纸Hanyu Pinyin:Zhi),inkstone(砚台,Hanyu Pinyin:Yan tai). I will post more information on Chinese traditional calligraphy later. 书法是中国特有的一种传统艺术。中国汉字是劳动人民创造的,开始以图画记事,经过几千年的发展,演变成了当今的文字,又因祖先发明了用毛笔书写,便产生了书法,古往今来,均以毛笔书写汉字为主,至于其他书写形式,如硬笔、指书等,其书写规律与毛笔书写规律相比,并非迥然不同,而是基本相通。基于索本求源(指甲骨文之后),这里重点介绍毛笔书写汉字的规律。只要我们对书法有了”狭义”的理解,那么对领会\”广义的书法\”也会大有裨益。 从狭义讲,书法是指用毛笔书写汉字的方法和规律。包括执笔、运笔、点画、结构、布局(分布、行次、章法)等内容。例如,执笔指实掌虚,五指齐力;运笔中锋铺毫;点画意到笔随,润峭相同;结构以字立形,相安呼应;分布错综复杂,疏密得宜,虚实相生,全章贯气;款识字古款今,字大款小,宁高勿低等。 从广义讲,书法是指语言符号的书写法则。换言之,书法是指按照文字特点及其涵义,以其书体笔法、结构和章法写字,使之成为富有美感的艺术作品,随着文化事业的发展,书法己不仅仅限于使用毛笔和书写汉字,其内涵己大大增加。例如,从使用工具上讲,仅笔这一项就五花八门,毛笔、硬笔、电脑仪器、喷枪烙具等种类繁多。颜料也不单是使用黑墨块,墨汁、粘合剂、化学剂、喷漆釉彩等五彩缤纷,无奇不有。过去的文房四宝–笔、墨、纸、砚,其涵义也大有扩展,品种之多,不胜枚举;从执笔方式上看,有的用手执笔,有的用脚执笔,就是用其他器官执笔的也不乏其人,甚至有的人写字根本就不用笔,如\”指书””挤漏书\”等;从书写文种上说,并非汉字一种,有的少数民族文字也登上了书法艺坛,蒙文就是一例;从书体和章法上看,除了正宗的传统书派以外,在我国又出现了曲直(线)相同、动静结合的”意向”派,即所谓现代书法。它是在传统书法基础上,加以创新,突出\”变\”字,融诗书画为一体,力求形式和内容统一,使作品成为”意美、音美、形美\”的三美佳作。在日本不少书家摒弃文字的语言性,树立文字的\”形象性\”,出现了”墨象”派,以用笔的轻重和徐疾、笔锋的开合及落笔位置的变化等,写出各种形象的文字。这一书派,虽突出”意象”,其字赏之也新颖,但汉字并非都是”形象”字,因此步履艰难,发展受到限制。所有这些(当然不仅是这些),可以看出书法和其他事物一样,也是在不断地发展和变化着。这一点必须引起书法界人士的高度重视。 The Chinese content […]

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